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检验亨利•马蒂斯的作品
亨利·马蒂斯在世纪之交的艺术世界，介绍了他的新想法。当时艺术慢慢成为了现代艺术。现代主义的新时代,是基于对象的简单视图,让他们成为艺术;而不是艺术家的艺术创作。画家开始以不同的方式和不同的艺术风格观看对象。马蒂斯成为现代艺术革命的先驱。马蒂斯带领一群艺术家包括Manguin、布拉克、和德兰,所有对艺术有相似看法的人。(337年“亨利•马蒂斯”)这个新组合介绍了野兽派艺术世界。野兽派是第一个现代运动。野兽派的组织开始观察对象的形状，以及(阿纳森,“野兽派”)创建的溶解的界限线。从1905年到1910年,野兽派的艺术世界中掀起了一阵风潮。野兽派观察对象，带着灿烂色彩的眼光,并且使用常见的油漆制造。(马蒂斯,马蒂斯夫人的画像)这是令人震惊的公众对艺术的看法,这是一个伟大的想法，花了多年去生产，去完善许多细节，因而创作出了一幅优秀的画。这个运动已经完全被亨利•马蒂斯的色彩新概念所推动,色彩的创意变得有机的,可靠且富有才华横溢。(Greenberg)
Henri Matisse introduced his new ideas to the art world at the turn of the century. At the time art was slowly becoming Modern. The new age of modernism, was based on the simple view of objects, letting them become the art; rather than the artist making art out of them. Painters began to look at the objects in different ways and paint in different styles. Matisse became a forerunner in revolutionizing modern art. Matisse led a group of artists including Manguin, Braque, and Derain, all having similar views on art. ("Henri Matisse" 337) This new group introduced Fauvism into the art world. Fauvism was one of the first modern movements. The Fauvist group started to view objects as shapes and dissolving the boundaries lines created (Arnason, "Fauvism"). From 1905 to 1910, Fauvism took the art world by storm. A fauvist looked at objects with brilliant colour, using common manufactured paint. (Matisse, Portrait of Madame Matisse) This was shocking to the public's view of art, which was the idea that a great painting took years to produce and many details. This movement had been completely pushed by Henri Matisse's new concepts of colour, the idea of colour being organic, solid, and brilliant. (Greenberg) He once said "When I put a green, it is not grass. When I put a blue, it is not the sky." Meaning that colour could be anywhere, not just the places where it is most present. (Spurling 102) In 1908 Matisse started an art school in Paris. (Spurling 98) There he taught his students to draw with innocence, referring to how children first learn to draw. Drawing with innocence meant drawing what you saw the first time you look at something. This was revolutionary to the world because Matisse had found a way to communicate art in the purest of ways. Matisse used the masters before him to influnce his art. He took styles from the past and redefined them in the context of his own world. In Cezanne's Les joueurs de carte, the colour is in fragments all over the picture, The objects remain organic and the overall theme isn't clouded. This picture is influential in Matisse's work, example "The Window. The use of colour, theme, and shape are all entwined with each other in both paintings. A succesful revolutionary refines what has passed and uses it to his own advantage. Matisse uses legends to push his ideas to the front. His traditional twists and new ideas were not his only ways to change the art world, his certain sense of appliqué was just as influential. Matisse's constant style of applying paint was highly influential on art. What was novel was his sense of touch. That touch, Matisse's way of putting paint to canvas, revolutionized art. His brush laid on and stroked the varying thinness of paint so that the white ground breathed as well as showed through. But even when he laid his paint on evenly or more densely, or when he used a palette knife the paint surface would still manage to breathe. (Greenberg) The paint surface, even when the picture as a whole failed, would maintain its liveness. That touch was a great step forward in art and not only for Matisse himself, but for other, younger painters, particularly American ones. He opened up the paintings to a modern and refreshing view.
Matisse's ideas grew into the simplicity and detachment that aids modern art today. Two of Matisse's is strongest paintings have the respective subjects: a window, table, two chairs and a bowl of flowers (Matisse, The Window); a marble-topped table in the open with a few small objects on it (Matisse, The Rose Marble Table). These pictures were painted during the darkest days of the First World War. These paintings supplement the idea of Matisse being a revolutionary because his detachment from society during a time where society was so important. Matisse just painted, ignoring the presence of humans during the war. (Greenberg) Most artists were filled with emotion and expressing it on canvas for the world, while Matisse just shrunk into the seclusion of his mind and painted what he saw. In fact, Matisse always painted what he saw, never what he felt. He detached himself from society as well as his painting subjects. Detachment is what modernism thrives on, because to be simple and a minimalist, you must not over express your emotions. As a forebearer of Modern Art, he set the standards for detachment. Along with his paintings understanding of life philosophically, they understood the most basic shapes with his paper cutouts. A revolutionary's ideas on the world will surpass their death. Robert Hughes a well known art critic wrote an article about a show of Matisse's work at a museum post-mortem. "He was not an abstract artist but a painter of bodies and space. Sixty years has done little to blunt the impact of the flat out chromatic intensity of Henri Matisse's work." (Hughes 171) This shows that Matisse's works are still being shown today and that his ideas are thriving behind the glass of the various museums they sit in. A critic whom tears apart canvas with his teeth can still relate to Matisse years after he painted. Modern art today is based on the simplicity that Matisse introduced in the early 1900's. You can see this in Marc Chagall's painting, I & The Village. The flat use of colour is reminiscent of Matisse as well as the simplicity of the organic objects within the painting. Everything your eyes touch that is said to be Modern Art is influenced by Matisse, whether the artist knows it or not. Matisse simplified life and defined Modern art within the context of innocence. Matisse sparked ideas of many artists; Picasso was heavily influenced by Matisse's concept of colour and carried it over into his Cubist movement (Hughes 170). Picasso remained emotional through his art, where as Matisse was a stoic. Picasso's pictures tend to close in on themselves, no matter what, Matisse's to open out, no matter what. Matisse's many works of art are still being shown at world class museums, such as the Metropolitan Museum of Art, New York and the Museum of Modern Art, New York. Henri Matisse brought on Modern art through his ability to move a brush on canvas. The way he dictated his style, revolutionized art forever. His simple objects, brilliant colours, and social detachment were things not seen before in a famous painter. Throughout his life from Fauvism to the wars to his paper collages, he never failed to communicate with his artwork. A dialogue that is still present past his death. A successful revolutionary keeps affecting the world generation after generation. Matisse affects the world as painters see and create everyday, forever going back the conquistador of colour and shape. |
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