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Transgressive Culture海侵文化
什么是犯罪文化？文化是一个宽泛的概念。它是指通过学习知识、信仰、艺术、道德、法律、习俗和习惯而形成的与所有社会成员的某种生活方式有关的精神因素（Moore，2011年）。社会文化可分为主流文化和亚文化两种。主流文化是社会的主导文化。它是基于社会的价值标准或社会规范。例如，社会主义精神文明是我国的主流文化，有利于培养和形成良好的生活方式。亚文化是一种占据社会第二地位的文化，是基于某些人的价值标准的非共享文化。与主流文化相反的亚文化主张背离社会认同的文化规范。所以可以称之为“反文化”，也就是说，犯罪文化（Yazdiha，2010年）。由于犯罪文化具有反文化的性质，它往往会促进一些人的越轨行为或犯罪行为因素的精神，这在小越轨集团和犯罪团伙中非常突出。因此，一些学者将违法文化称为“违法文化”。
What is transgressive culture? Culture is a broad concept. It refers to the spiritual factors, related to a certain way of life of all members of society formed by learning the knowledge, belief, art, morals, laws, customs, and habits (Moore, 2011). Social culture can be divided into two kinds of culture, mainstream culture and subculture. Mainstream culture is a dominant culture of the community. It’s based on the value criterion or the social norms of the society. For example, the socialist spiritual civilization is the mainstream culture in China, which is conducive to the cultivation and formation of a good way of life. Subculture is a kind of culture, which occupies the secondary position of society, and is a non-shared culture based on the value criterion of some people. Subculture, opposite to the mainstream culture advocates a departure from the norms of culture which is recognized by the social community. So it can be called “anti culture”, that is, transgressive culture (Yazdiha, 2010). Because transgressive culture has the nature of the counterculture, it tends to promote the spirit of the factors of deviant behavior or criminal acts of some people, which has been very prominent in the small deviant groups and criminal gangs. So some scholars call transgressive culture as “delinquent culture”.
波特兰街头布鲁斯（中文名： 古惑仔情义篇之洪兴十三妹)），是1998香港著名、著名的传统电影。这部电影是“年轻而危险”系列电影的副产品。1998年拍摄的《少年与危险》系列电影逐渐进入低谷。随着香港的回归，强势的帮派文化开始变得低调而微妙。然而，正是在这一年，“年轻而危险”的旋风为三部“年轻而危险”的出版作品——传记进入了《龙》、《前传》和《波特兰街布鲁斯》的故事。正如传言中的故事，波特兰街布鲁斯从女性的角度诠释了三合会的世界。当然，从男性的角度来看，这是完全不同的。在这部影片中，吴君如，香港女演员的表演是如此的精彩，人们对演出印象深刻。
Portland Street Blues (Chinese name: 古惑仔情义篇之洪兴十三妹), which is a famous, well-known, traditional movie in 1998 in Hong Kong. The film is a spin-off of the “Young and Dangerous” series of films. “Young and Dangerous” series of films, photographed in 1998, has gradually entered the trough. With the return of Hong kong, assertive gang culture began to become a low-key and subtle. However, it was the year when the “Young and Dangerous” whirlwind blowing exuberantly for three “Young and Dangerous” published works - the biography Enter the Dragon, the Prequel and the side story Portland Street Blues. As the rumored story, Portland Street Blues interprets the triad world from the perspective of a female. Of course, it will be quite different from the perspective of a male. In this film, Sandra Ng, the Hong Kong actress’s acting was so superb that people were deeply impressed by the performance.
The actress who played 13 mui is a famous actress in Hong Kong cinema. Her nickname is Sangu. She was born in August 2ed in 1965 in Hong Kong with a native of Guangdong Panyu. Because of the film, the actress Sandra Ng and Shu Qi were awarded Hong Kong Film Award for Best Actress and Best Supporting Actress award in 1999. This is a structured drama with coherent plots. In the film, the director Ye Weimin has showed his excellent skills and made the film exciting and enjoyable. The film not only represents the unknown bitterness of life of the underlying citizens in Hong Kong, but also the irony and sarcasm to profit people and the frustration and sadness of love. In addition to the protagonist of the film Sandra Ng, a lot of the actors’ play comes to a very high standard under the guidance of the director. Their performance is inspirational and all images are portrayed vivid. In the continuation of Young and Dangerous series to carry forward the mainstream values of the brotherhood, Portland Street Blues has a deeper mining and interpretation.
This film is focus on a female character – 13 mui, and she is one of the triad members called Hung Hing in Hong Kong triad society. The script is based on the popular comic book series named “Teddy Boy”. According to the website of Cambridge Dictionaries, “Teddy boy” means “a young man, especially in the 1950s in the UK, who typically dressed in narrow trousers, a long, loose jacket, and shoes with thick soles”. The Starring actors in this movie mostly copied the chic from UK, especially the “manners”.
Portland Street Blues, in this film, showed a lot of real images of triad society and they dominated by man. The men especially the teenagers in groups would venerate a big brother as a symbolic figure and work for him. This sequel movie has a contrast to the other Young and Dangerous films with more female characters development. This time, the story is focus on a female as a triad member. For the synopsis, which mentioned online, “The film tells the story of how she faces trials and tribulations of rising to become the branch leader of Portland Street. The story shows the reasons she became a lesbian. The film also gives more details about the "Tung Sing" triad, and how the relationship between 13 mui and Ben Hon develops.
Between Zhang Meirun and 13 mui, as well as 13 mui and her women lovers, from the surface, 13mui is a real lesbian. She appears with a black suit and a short haircut, smoking a cigarette with several girls in her arms and snatches domains with men. Although this movie can’t hide the fact that “Teddy Boy” is male chauvinism of the drama, 13mui still reflects the strong domineering and lonely. Zhang Meirun and 13 mui go everywhere together. Every corner of Portland Street has left their footprints. For 13 mui, the feeling to Zhang Meirun is that nothing to prevent the organic whole heart heartless trust before Ke Le has intervened their feelings, But for Zhang Meirun is not only such feeling, it is more like same-sex love which is not easy to be aware of. 13miu is naïve and outgoing, and female intimacy is often regarded as the feeling of friendship and others reported to sympathy and understanding, which is difficult to detect. After many years, Zhang Meirun has become famous star in Taiwan, and she runs return to Porland Street, at the same time, 13 mui has been the big head there. They relieve the friendship in the past. Zhang Meirun tells 13 mui that she loves her for years. Li Jin defines the "lesbian" in the cultural connotation of the lesbian discourse in Chinese language movies, alleges this category contains two aspects: “one is the pure ‘lesbian’, specifically to women on women's erotic tendencies, especially some same-sex intimacy and sex; the other is "gay social relations", sisterhood, women's alliance, such as mutual support between friendly feelings, is focused on the women's power and close friendship groups and areas of space.” Due to 13 mui is actually a "pseudo lesbian" (she became the big head of Porland Street, and treat other women with the intimacy, whose motivation is distrust of men and direct reason is Ke Le's sudden departure), The love between Zhang Meirun and 13 mui cannot be materialize, so their feelings is only between lesbian and “gay social relations” (Butler & Judith, 1990). Freud once said: "the lesbian, though not so bright, certainly not less than men".
From 13 mui’s "father" image deletion, emotional frustration the two angles, this movie reasonably explains why she didn't accept the gender mainstream discipline, making the process of her psychology and sexual orientation change authentic. In the body expression on lesbian T gender, the author Zhao Ran discusses: “Physical gender is different from physiological gender, emphasizing gender as a social construct and not from the physiological differences between men and women produce, but caused by society and culture” (Salih, 2004). Through a whole set of gender systems and mechanisms in society, the individuals learns that the acquisition of male or female gender characteristics, gender norms, the performance of the requirements of social norms consistent with the characteristics of men or women (Salih, 2004). The discipline of social gender has begun from birth, and continues to shape people's thinking and behavior, to be fixed in the gender position." In Porland Street such a porn industry developed place, external and internal factors from all aspects of the role, 13 mui gradually change in lesbian sex of "T" -- since she was born, there is no woman in her life. Her father does not have the ability to play the role of protector, and finally died for saving her daughter. Traditional mechanism of social gender difference does not make sense in 13 mui’s life. On the contrary, sex discipline drives her one step one step toward strong transformation, because this is the only way for her to survival and revenge. Ke Le leaves her without telling, while in the movie confessions of 13 mui voiceover pointed out: "probably because from my mom died, so I didn't know to get along with the woman. Later, I gradually like women more than men, but I only know the surface rather than what's inside." It can be concluded that the 13 mui is not a real lesbian, but the the life experience influences.#p#分页标题#e#
Is in the cohabitation of the Portland Street, no jurisdiction of the arena, with revelations about gangs of chaos and the nature of the dark, 13 mui becomes more and more transgressive. In this arena, 13 mui becomes the Portland Street boss by killing Qi’s ex boyfriend, and then through the violence as well as a variety of means to consolidate her position, making men convincing. In Portland Street, there is no justice, the key is whether you can stand on the team, and the boss is the truth. And it is well known that the image of 13 mui, or the value that she conveys, is not accepted by the mainstream culture, moral standards and legal requirements of today's society (Creed, 2002).
Civilization is the active component of culture. It is a historical concept and it will reflect the historical reality and adapt to the social progress. Instead, we can see the renditions in Poland in the movie which is contrary to the point of civilization. It is a treacherous world and full of mutual intrigue of equal strength. Differences in the strength disparity make the strong bully the weak. The strong bully the weak without restraint and the weak act is not also innocent. For example, the director is not beautifying the insulted and damaged images of 13mui that appear early. She and her good friends Run gain the money of the teacher who teaches English in an evening cram school by cheating. In the movie, 13mui and Run act the tacit understanding moves. It can be concluded that they has done such a thing for many times and there are lots of timid and lustful men cheated by them and only can be silent. Later, Da (the father of 13mui) is killed by Xian Shi (the head of Poland). Of course, it’s because that Xian Shi snatched up Da’s lottery profits. Then the 13mui and Run cheated Xian Shi. However, the trick was known by Xian Shi and Xian Shi will kill 13mui. Da died of saving 13mui. The revenge tactics of 13mui are not aboveboard and open, so when she and Run’s friendship breaks, 13mui also blame Run for her father’s death. Fortunately, there are the savior appeared Qi. In the help and inspiration of Qi，13mui accomplish the work of gang successfully and open a new starting point for the cause. After that, 13mui understand the essence of the success that people are not blindly claim but in what we give. Eventually, 13mui gets the mutual true love of Han Bin and the blood friendship of Ho Nam and a bunch of brothers.
There is every kind of people full of the Portland Street. This film observes straight into the urban culture of Portland Street, highly developed underworld in Hong Kong through the extremely realistic approach. Here, the ordinary citizens enjoy the present happiness, muddle along, and the utilitarian mentality gets the most intuitive reflected, many of which have violated the mainstream values, such as gambling, jurisprudence, addiction to drugs. The film does not avoid these important parts of the pop culture which is away from social mainstream values. It does not blindly criticize the dark environment but show the whole process of thoughts derived and the reasons are analyzed from an objective, true and comprehensive perspective (Silk & Rich, 2015). The film aims to spicy satire the absurdity of the social reality, and at the same time, it is also careful thinking of the director of his own. 13 mui grew up in the Portland Street, in this environment, the formation of her values and behavior are bound to be affected. But in the end, relying on special karma will and heart of true pure good, 13 mui completed her values and behavior to the mainstream of society closer and regression.
Reference
Butler & Judith (1990) .Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
Creed, B. (2002). Horror and the Monstrous Feminine: An Imaginary Abjection. The International Journal of Television Studies, 8(3), 108-123.
Moore, L.J. (2011). Transgressive Bodies: Representations in Film and Popular Culture. Contemporary Sociology: A Journal of Reviews, 40(6), 744-746.
Silk, M & Rich, E. (2015). On the Transgressive Possibilities of Physical Pedagogic Practices. Qualitative Inquiry, 21 ( 9), 798-811.
Salih, S. (2004). On Judith Butler and Performativity: The Judith Butler Reader. Oxford: Blackwell.
Yazdiha, H. (2010). Conceptualizing Hybridity: Deconstructing Boundaries through the Hybrid. Formations: The Graduate Center Journal of Social Research, 1(1), 33-38.
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