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导读:这是一篇美国essay范文，讨论了中美动画的差异。自十九世纪动画诞生以来，中国设计的动画人物形象一般都是形象正统的，并没有自己极为鲜明的个性。而美国的动画形象设计，人物造型设计规范，与生活中的原形差别不大，大多不大变形，形象优美，个性鲜明，动物形象则大都作大幅度的夸张。 Since the birth of animation in the 19th century, the creation and research of animation in various countries have never been interrupted. Creation is the charm of animation art. Animation is a worldwide culture that fully embodies the characteristics of society, economy, culture and science and technology in different historical stages. Due to the countries all over the world have different cultural background, ethnic customs, and different economic forms, throughout the world for more than one hundred years of animation in the history of the development of different countries and different regions, they experienced by hing and failure, and presented its artistic features, also each are not identical. It is because of this that the world's animation has been able to have such a gorgeous and colorful landscape. Taking China and the United States as examples, this paper introduces the animation differences between the two countries in terms of subject matter, animation images, music and artistry. 自19世纪动画诞生以来，各国动画的创作和研究从未间断过。创作是动画艺术的魅力所在。动画是一种世界性的文化，充分体现了不同历史阶段的社会、经济、文化和科技的特点。由于世界各地的国家有不同的文化背景,民族风俗,和不同的经济形式,在世界各地超过一百年的动画历史上不同国家和不同地区的发展,经历了由兴,失败,和展示其艺术特征,也各不相同。正因为如此，世界动画才得以拥有如此绚丽多彩的景观。本文以中美两国为例，介绍了两国动画在题材、动画形象、音乐、艺术性等方面的差异。 Have already animated cartoon, Chinese animation has come a very long time, happens to be the first animated film was born in 2006 in 80, was made by WJH brothers in Shanghai a short name is "big big studio". In the 1940s, they produced the first animated movie in Asian history called princess iron fan. All these indicate that China's animation industry started relatively early. But as for the development of Chinese cartoon, till the end of the cultural revolution, even in the 90 s before the animation industry in China are disjointed, and the market is totally planned economy mode: only a professional cartoon manufactory - Shanghai animation film studio (studio). At that time, there were two forms, one was long films such as "Monkey King", and the other was short films such as "tadpoles looking for their mother", but they were all made of film and the production was not high. Therefore, the earliest domestic cartoons we have seen since the 1980s should be tadpoles looking for their mother, three monks, Monkey King, nine color deer and so on. But these excellent animation is just a flash in the pan, and introduced in the eighty s to the imported films, no matter from the influence, influence range and the image of time are far behind. Why does this happen in Chinese animation? Taking the difference between Chinese animation and American animation as an example, this paper analyzes the problems existing in the history and development of Chinese animation. Once read a sentence, give you a blank sheet of paper, no matter what dreams and miracles can be achieved. Since the birth of animation in the 19th century, the creation and research of animation in various countries have never been interrupted. Creation is the charm of animation art. Animation is a worldwide culture that fully embodies the characteristics of society, economy, culture and science and technology in different historical stages. Due to the countries all over the world have different cultural background, ethnic customs, and different economic forms, throughout the world for more than one hundred years of animation in the history of the development of different countries and different regions, they experienced by hing and failure, and presented its artistic features, also each are not identical. It is because of this that the world's animation has been able to have such a gorgeous and colorful landscape. Next, taking China and the United States as examples, the animation differences between the two countries are introduced in several aspects. The 5,000 years of history has given China rich subject matter. Early have the fairy tales, ancient fable, folk stories, historical legends, and even foreign stories, such as "magic", "the proud generals", "yu tong" and "the shepherd boy and princess"; There are also stories of revolutionary legends, such as the red army bridge and the puppet film red cliffs. There are also class education themes, such as the puppet film "the adventures of the street urchins", which depicts the tragic fate of children in the old society, and "the cockcrow at midnight". There is even international satire, such as the comic-style animation "the golden dream" and the puppet "who sings well". In spite of the diversity of Chinese animation themes and the wide selection of Chinese and foreign contents, they all have one thing in common, that is, to educate people. In addition, one of the ideas embodied in the creation of Chinese animation is that cartoons are the world of children, and Chinese cartoons also present childish characteristics. As a result of the influence of the idea of animating children, there are few love themes in Chinese animation. So in 2002, an animation about youth, I am crazy for songs, caused a great sensation. Although there are some notable aspects in production and picture effect, it is still a great progress in the history of Chinese animation. As for American animation, many American animation creations draw on the story prototypes of other countries for animation re-creation. Take Disney's animations, such as Cinderella and Snow White, which are based on Germany's famous Grimm's fairy tales. The lion king is also the story of the revenge of the prince. In terms of subject matter, the United States does not emphasize education idea, because educating people is not the purpose of making cartoons for westerners. As can be seen from cat and mouse, "music" is the root. The cartoon characters of Chinese design are usually formal and orthodox. Such as previously produced nezha, magic brush ma liang. Although there are animation images like the three monks, none of them are mainstream. The same is true of today's animated characters, such as the blue cat in the blue cat naughty 3000, who are also regular characters. And the characters in the Chinese animation is not very distinct personality, especially the character's eyes, and many times the character's facial expression, eye contact completely disjointed character, plot, and the same picture of two characters nothing communication, seems to only exist independently. On the contrary, the American animation image design, the standard character modeling design, is not much different from the original shape in life, most of them are not deformed, beautiful image and distinct personality. Most animal images are greatly exaggerated: big head, big eyes, big hands and big feet, which have become cartoon models widely used by countries around the world. The importance of music to an animation is not explained in a few words. The function of music in general is to serve as a unique auditory art form to meet people's artistic appreciation requirements. Once it becomes an organic part of the integrated animation art, music has unique aesthetic characteristics and aesthetic rules. Early Chinese animation also paid attention to the role of music, such as shepherd boy, which is a perfect combination of Chinese music and painting. The innocent shepherd boy, the babbling water and the swaying bamboo branches always convey delicate and reserved feelings, which is completely Chinese style. Throughout the film, the flute sound is composed by lu chun-ling, a Chinese master of the flute, who enjoys the reputation of "magic flute". "The shepherd's flute" has been described by American critics as "the best film music ever heard in China". However, in recent years, music of Chinese animation seems to be an accessory of animation, which is born from animation and is made purely for production, without any aesthetic feeling at all. Music in American animation still takes Disney as an example. In Disney animation, music accounts for a large proportion. In every story, music matching with music runs through the whole process, expressing the emotion that the animation wants to express incisively and vividly. In Disney's work, the music of the excavation is being felt, we can say that every one found very para very rhythmic music, often and film bring out the best in each other, make both coruscate glorious. There is no doubt that China's early animation on the artistic nature of the very high requirements, the creation is very rigorous. Chinese cartoon creators have very exquisite creation individuality and unique ideas, in the cartoon art performance in the field of the unremitting efforts, many art animation has been awarded a prize in the world, has a high reputation. Such as ink and famous in the 80 s drama "landscape", through the ancient luthiers to fishermen's young the stories teach piano art, the highest level of the Chinese classical art freehand brushwork in traditional Chinese painting landscape and the perfect combination of ancient music of violin together, this paper expounds the highly harmony of man and nature. The work won a total of eight awards at home and abroad.#p#分页标题#e# American animation, by contrast, pays more attention to commercial value than art. In the early days of its animation, the United States quickly entered the industrialized operation and achieved great commercial success. Although there were experimental animations pursued by pure art at that time, such as American at a glance, commercial animation still dominated the mainstream. "Ali baba and the forty thieves", "beauty and the beast", "Cinderella" and "the lion king", "mount tai" and so on a series of animated feature, has formed a system of animation operation, and gain valuable market returns. As for the others, they are not listed in detail. In fact, as far as the above differences are concerned, the differences between Chinese and American animations are quite large. To sum up, the current situation of China's animation industry has a lot of helplessness and immaturity. Gratifying is that China's animation is constantly exploring and progress, there are also many happy results. The road is tortuous, the future is bright, we have to admit that Chinese animation has a long way to go. But don't have to constantly learn foreign to blindly pursuing big, after all, now information so developed, people look at those gorgeous things abroad to see too many, always eat meat, to eat many will also have the idea of want to eat food. We might as well reflect on the path Chinese animation has taken: why will it degenerate from the international awards of water products to the point of everyone swearing? The so-called nation is the world, long - selling is the best - selling. Such as the eighty s Shanghai art studio out of several animation film "three monks" nezha conquers make the sea the great heaven "gobbledygook, tan" "boosted" "proud generals" the nine colored deer... All of them are worthy of praise and praise. On the painting work, it retains the characteristics of traditional Chinese meticulous brush painting in a unified way, and "nine color deer" is a mysterious painting style of dunhuang, giving people a sense of beauty visually. From the dubbing, which a few movies are made with the older generation of the republic of smashing good voice actors, the degree of serious and responsible to work, is by no means the making of Japan and China modern star can match. From the music, the music of these films is mostly Chinese classical music played by Chinese classical instruments, which is elegant and generous. In terms of content, this is the most important. These animated stories are all buddhist sutras from classical Chinese classics, fables and dunhuang frescoes. Its plot is simple and easy to understand, and its connotation is profound and intriguing, which cannot be compared with general animation. China has a history of five thousand years of civilization, which has left a large number of classics, calligraphy and painting works. Westerners can make numerous box office movies based on a bible. Why can't we make some cartoons? In the same sentence, the urgent task of Chinese animation is to return to the style of classical Chinese painting and make excellent works that belong to their own culture. |
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